"The role of the artist is the creation of images of vigour
for a decadent period, images of calm for one too violent,
images of reconciliation for a world torn by divisions,
and in an age of mediocrity and shattered dreams,
images of abounding, generous, exuberant beauty."
- Michael Tippett

Recent Works

Egress This Way, for piano four hands

The League of Minor Characters (2017), a cabaret cycle for soprano and piano

Ritornello (2017) for piano four-hands

Capricci (2016) for flute and piano

Rosetta's Aria (2014), for soprano, clarinet, and piano

Tres Canciónes y Danzas (2016) for guitar

A Door Into Summer (2015), for piano four-hands

Emily's Song (2015) for solo piano

Pine Hollow Bestiary (2014), for student string orchestra

Rosetta's Stone (2014), a neuroscience opera

In 3 (2014), for student symphonic band

The Song of the Hermit Thrush (2013), for soprano and five instruments

Etude (2013), for cello from the opera "Rosetta's Stone"

The Hippocampus Monologue (2013), for mezzo and piano from the opera "Rosetta's Stone"

South Albany Street (2013), for two guitars

Thurber Country (2012), for small orchestra

Beauty from Forgetfulness (2012), for piano trio

Brain Freeze (2012), for wind quintet

Komoriuta (2012), for clarinet and piano

This Autumn Day (2011), for voice and piano

Robby's BFF (2012), for narrator and wind quintet

After the Rapture--Just Me and the Cat (2011), for piano

Overture to Quantum Mechanic (2011), for piano

Renaissance Songs (2011), for high voice & piano

Conversations in the Garden (2011), for piano four-hands

Emergence (2010), for organ

Trifles (2009), an opera in one act

Chromaganini (2009), for flutes, horns, trombones, & strings

Yeats Songs (2009), for baritone & piano

The Poems to Come (2008), for mixed quintet

First Light (2008), for wind quintet

Sonatina (2008), for solo piano

Quantum Mechanic (2007), A comic opera in one act

I Fiori di Seta (2006), for Flute, Alto Flute, and String Orchestra/Quartet

A Wedding Braid (2006), for solo Clarinet

Heart's Desire (2006), for Clarinet & Piano

Petroushka Dreams (2006), for Clarinet, Cello, & Piano

Fire in Spring (2005), for Flute & Oboe

Concerto for Wind Quartet & Orchestra (2004)

Shadow Tree (2004), Impromptu for Alto Flute & Guitar

Caprice (2003), for Flute & Piano

Entr'acte (2003), for Unaccompanied Clarinet

Gen'ei no Mai (2002), for Flute & Clarinet

Madison Sketchbook (2002), for Piano

Divertimento for Wind Orchestra (2000)

http://www.johnbilotta.com

JOHN G. BILOTTA (1948 - ) was born in Waterbury, Connecticut, but has spent most his life in the San Francisco Bay Area where he studied composition with Frederick Saunders at the San Francisco Music & Arts Institute. He has attended masterclasses and workshops with composers Alexander Tcherepnin, David Del Tredici, and Chen Yi, among others. He graduated from the University of California, Berkeley, taking Bachelors and Masters degrees in psychology. He is a member of the Executive Committee of the Society of Composers, Inc, for which he edits SCION, the organization's opportunities newsletter. He is also a member of the Board of Directors of Goat Hall Productions.

Bilotta’s early vocal works, particularly the Renaissance Songs, Yeats Songs, and Two Songs on American Poetry, have been performed repeatedly at music festivals and concerts in both the United States and Europe. His most recent song cycle The League of Minor Characters premiered in August, 2017.

His one-act opera Aria da Capo (1980), a setting of the verse play by Edna St. Vincent Millay, was a finalist in a competition sponsored by the New York City Opera. His second opera Quantum Mechanic, winner of the 2007 Opera-in-a-Month Challenge as well as the 2010 AmericanaFestival Award, has been widely performed in the U.S. and Europe. His third opera Trifles (2010), a setting of the play by Susan Glaspell, has had multiple productions in the U.S. His most recent opera Rosetta’s Stone (2015) was a collaborative project with a Norwegian composer/librettist team and premiered in California in 2016.

Bilotta’s works have been performed in the United States, Canada, Asia, and Europe by outstanding soloists and ensembles including rarescale, Earplay, the Talea Ensemble, the Washington Square Contemporary Music Society, Chamber Mix, Musica Nova, the Avenue Winds, Presidio Ensemble, The City of Tomorrow wind quintet, the Boston String Quartet, the San Francisco Composers Chamber Orchestra, the Kiev Philharmonic, the Oakland Civic Orchestra, San Francisco Cabaret Opera, Bluegrass Opera, Boston Metro Opera, Thompson Street Opera, New Fangled Opera, and Floating Opera.

His music is available on Capstone Records, Navona Records, New Music North, Beauport Classical Recordings, ERMMedia and Australia’s Bouddi Recordings.

Compositions

Beauty From Forgetfulness


PDF score

For violin, cello, and piano


Petroushka Dreams


PDF score

For clarinet, cello, and piano


Shadow Tree


PDF score

For alto flute & guitar