Brittany J. Green (b. 1991) is a North Carolina based composer. Her compositional interests include chamber music, live electronics, and collaborative works that incorporate movement and poetry. Her music has been featured at the 2018 Bowling Green State University Graduate Conference, 2016 Snowpond Composer’s Workshop, Rebel 60 Literary and Arts magazine, the 52 Weeks of Flute Initiative, and the Ossia Commissioning Project. Current compositional projects include The Sound of Color Project- a virtual reality sound art piece, and creating movement based instruments through programming in MaxMSP. She is currently pursuing her Master’s degree in Music Composition and Theory at East Carolina University (ECU), where she is a graduate assistant for the North Carolina NewMusic Initiative and the Young Composers Project. During her residency at ECU, she has worked with Julia Den Boer, Ayano Kataoka, Sharon Harms, Chris Gross, Robin Meiksins, and more. Her composition studies include work with Edward Jacobs, Melinda Wagner, Matthew Ricketts, Mark Taggart, Jim Mobberley, Rick Nelson, Adam Neal, and Charles Peck. She has also presented several workshops, including a Grant Writing 101 workshop and a Collaborative Arts Panel- produced in collaboration with ECU's Dance, Film, and Art and Design departments. Professional affiliations include Society of Composers, Inc. where she serves on the student council and as the president of the ECU chapter, Sigma Alpha Iota professional women's fraternity, and Omicron Delta Kappa.


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Selected Solo Works

let love speak…then let love be silent., for marimba, crotales, and speaker.

Portraits, for piano.

Sonatina for flute, for amplified flute.


Selected Chamber Works

Colors, for cello and bassoon.

Intersections, for open instrumentation.

Light, for chamber vocal ensemble.

Maps, for open instrumentation.

Men nor Gods, for soprano and percussion.

Selected Electronic Works

The Sound of Color Project, virtual reality installation

Conversations in a Private Room, for body and electronics.

25, for viola and live electronics.

Feel Like This, for fixed media.

Selected Large Ensemble Works

Edge of the Sacred Rainforest, for wind ensemble.

Speak, for gospel choir.


Explore my current happenings at my website.


Monday November 13, 2017 at 6pm, Brittany Green will be presenting Part 1 of Grant Writing 101. A workshop series designed to help emerging artists learn the grant writing process. The workshop will cover where to find grants, how to write proposals, how to gather supplemental material, and tips and tricks to help your grants stand out above the rest.



Explore all my recordings by clicking "next" in the player window.

Brittany J. Green Compositions - YouTube




PDF score

Intersections is a concept piece representative of the finite yet infinite nature of moments where paths are crossed. The piece has not set beginning or ending, just a cycle of intersected lines to be interpreted at the performers will.