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Ying-Chen Kao (b.1981) is currently a doctoral candidate at the Peabody Institute of the Johns Hopkins University where she received her Masters Degree. She was awarded the composition assistantship from 2006-2008, and was the recipient of the Otto Ortman Award.

Ying-Chen has received various commissions: the Peabody Children’s Chorus commissioned by Doreen Falby entitled The Sonnets to Orpheus for children’s chorus and solo cello and Cloud Burst, premiered and commissioned by Michael Kannen in the Cage Concert series at the Peabody Institute and most recently The Blue of the End, commissioned and premiered by Donald Sutherland and Gary Thomas. She collaborated with the Peabody Preparatory Dance Department on a ballet / video piece, Collidescope, which was premièred in the event NEW WORK 2007. The project was overseen by the renowned American theatre artist / choreographer Martha Clarke. Ying-Chen is also interested in visual art and in August of 2006, her multimedia art work, “Constellation of Voice” was selected to be on the cover of Carnegie Hall’s October playbill.

Ying-Chen started playing the piano at the age of 5, and began composing at the age of 15. She attended Kuang Jen High School, an elite music school in Taiwan for musically gifted students. She holds her Bachelor’s degree in Theory Composition from the University of Miami, where she performed extensively as an instrumental and vocal accompanist. Ying-Chen currently studies composition with Michael Hersch . She has studied composition with Christopher Theofanidis, John Van der Slice, Robert Gower, Paul Wilson and Lu Wen-Tze, and piano with J.B Floyd. She has participated in master classes with Chen Yi and Libby Larsen.

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Selected Work list
  • Transmutation (for solo tenor trombone) (2008)
    commissioned by Summer Trombone Workshop 2008 Taipei, Taiwan
  • Ancient Memory (for solo tenor trombone) (2008)
    commissioned by Summer Trombone Workshop 2008 Taipei, Taiwan
  • New Commissioned work for guitar and soprano (in progress)
    for guitarist Benjamin Beirs
  • New Commissioned work for percussion (in progress)
    for percussionist Svetoslav Stoyanov
  • Violin Concerto (in progress)
  • New Commissioned work for guitar duo (in progress)
    for guitarist Tracy Anne Smith
  • I am Dancing Blue Flame (for soprano, tenor saxophone, piano, electronics and video) (2008)
    for soprano Bonnie Lander/Text by H.A. Kares
  • Lilac . Star . Bird (for solo guitar) (2007)
    for guitarist Tracy Anne Smith
  • The Blue of the End (for saxophone and organ) (2007)
    commissioned by Jazz saxophonist Gary Thomas and organist Donald Sutherland
  • Black Carrot (for bass clarinet and piano) (2007)
    for clarinetist Stephen Pfleiderer
  • Collidescope (for dancers and video) (2007)
    for "New Work 2007" A Collaborative Showcase
  • The Sonnets to Orpheus (for children’s chorus and solo cello) (2007)
    commissioned by Doreen Falby, director of the Peabody Children’s Chorus
  • Red Air ( for large orchestra) (2006)
  • Piano Quintet (2006)
  • Cloud Burst (for cello and piano) (2005)
    commissioned by Michael Kannen, head of Peabody’s Chamber music department, and founding member of the Brentano String Quartet.
  • Haunted by an angel (trio for baritone, violin and guitar) (2005)
    Text by H.A. Kares Received an Encore Grant from the American Composers Forum
  • 530.623 (trio for clarinet, violin and viola) (2004)
    For Noah Weber, Jesse Irons and Gwendolyn Fisher
  • Three pieces for three percussionists (2004)
  • Three pieces for two sopranos and String Quartet (2003)
    text and Translation by Ching-Ming-Cheng (in Chinese)
  • Flute Sonata (for flute and piano) (2003)
  • Spanish Rhapsody (for solo Piano) (2003)
  • Toccata (for viola and piano) (2002)





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    Ying-Chen Kao is a member of Society of Composers, Inc. SCI is dedicated to the promotion of composition, performance, understanding and dissemination of new and contemporary music.