Aaron Einbond


Aaron Einbond is a Ph.D. candidate in composition at The University of California, Berkeley where his teachers include Edmund Campion, Cindy Cox, Jorge Liderman, John Thow, and Andrew Imbrie. He was born in New York in 1978 and has studied with John Corigliano, at Harvard with Mario Davidovsky, at the University of Cambridge with Robin Holloway, and at the Royal College of Music, London with Julian Anderson as a British Marshall Scholar. His works have been performed by the Left Coast Chamber Ensemble, Empyrean Ensemble, Ensemble SurPlus, the Aspen Contemporary Ensemble, the Nouvel Ensemble Moderne, the Cleveland Institute of Music Orchestra, and the Festival MANCA. Awards for his compositions include a Charles Ives Scholarship from the American Academy of Arts and Letters, two BMI awards, two ASCAP awards, and fellowships and scholarships from the Wellesley Composers Conference, Aspen Music Festival, Atlantic Center for the Arts, Voix Nouvelles, Domaine Forget, and the French American Cultural Exchange. He is currently studying at IRCAM in Paris through a Fulbright Scholarship to France and Berkeley's Georges Ladd Prix de Paris.



Events

13 June 2009: What the Blind See, Ensemble Instant Donné, IRCAM, Festival Agora, Paris.

12 June 2009: What the Blind See, Pierre-Edouard Dumora, video, Festival Panorama, Le Fresnoy.

10 June 2009: Inside Out, J. Austin Wulliman, violin, Ensemble Dal Niente, Music Institute of Chicago.

18 April 2009: Inside Out, J. Austin Wulliman, violin, Ensemble Dal Niente, The Spot, Chicago.

29 March 2009: Microtures, Alexandra Gorlin-Crenshaw, piano, American Church in Paris.

26 March 2009: Inside Out, J. Austin Wulliman, violin, Ensemble Dal Niente, Tenri Cultural Institute, New York.

11 March 2009: Microtures, Alexandra Gorlin-Crenshaw, piano, Fondation des Etats-Unis, Paris.

5-6 December 2008: Beside Oneself, and Leaping Lizards, L'Ensemble Itnéraire, Paris.

29 November 2008: Break, Moscow Autumn Festival.

14-16 November 2008: What the Blind See, interactive sound installation Akademie der Künste, Berlin.

28 October 2008: Beside Oneself, Ellen Ruth Rose, viola, Berkeley, CA.

October 2008 - June 2009: Cursus 2 in Music Composition and Technologies, IRCAM, Paris.

3 August 2008: Beside Oneself, Karen Lorenz, viola, Ensemble Mosaik, Inventionen Festival, Berlin.

17 June 2008: Roughing It, for electronic sounds, Microfolies, Aix-en-Provence.

14 June 2008: Break, David Wegehaupt, baritone saxophone, Lange Nacht der Wissenschaften, Berlin.

18 May 2008: Break, David Wegehaupt, baritone saxophone, American Church in Paris.

13 April 2008: Temper, Laura Carmichael, bass clarinet, Southampton, England.

9 April 2008: Temper, Laura Carmichael, bass clarinet, Klagenfurt, Austria.

12 March 2008: Beside Oneself, version for solo violoncello, Nice.

11 February 2008: Beside Oneself, Ellen Ruth Rose, viola, Earplay Ensemble, San Francisco.

7 November 2007: Roughing It, for electronic sounds, Festival MANCA, Nice.

September 2007- September 2008: European Course for Music Composition and Technologies, IRCAM, Paris and Technische Universität, Berlin.

einbond [at] berkeley [dot] edu
Compositions


TEMPER
TEMPER.mp3 - excerpt
TEMPER.pdf - complete


8'

for bass clarinet and live electronics (2006)

Peter Josheff, bass clarinet

Production CIRM (Nice, France)/CNMAT (Berkeley,USA)



LEAPING LIZARDS
LEAPING LIZARDS.mp3 - excerpt
LEAPING LIZARDS.pdf - excerpt


8'

for percussion duo (2005)

Florian Conzetti and Christopher Froh

Empyrean Ensemble



CRAZY SALAD
CRAZY SALAD.mp3 - complete
CRAZY SALAD.pdf - excerpt


(5:49)

for seven players (2004)

Ensemble SurPlus

James Avery, conductor

June in Buffalo



AFTER BARNETT NEWMAN
AFTER BARNETT NEWMAN.mp3 - complete
AFTER BARNETT NEWMAN.pdf - complete


(6:40)

for eight players (2002)

Sinfonia 21

James Wood, conductor







http://www.societyofcomposers.org

©2006 by Aaron Einbond
All Rights Reserved

Aaron Einbond is a member of Society of Composers, Inc. SCI is dedicated to the promotion of composition, performance, understanding and dissemination of new and contemporary music.