in Scotland, March 2016
Lionel Hampton School of Music
Intro to Composition
Choral and Instrumental Arranging
Composer and pianist Bill Whitley has been playing piano and composing since he was 15. After short stints at Eastern Washington University (jazz piano), and Berklee College of Music (Songwriting), he received a Bachelor of Arts in 1994 from Gonzaga University where he studied organ, piano, and composition. In 2000, he earned a Master of Music degree in composition at the University of Idaho, and in 2007, a PhD in composition at the University of Oregon.
Bill has studied composition with Robert Kyr, David Crumb, Robert Dickow, Dan Bukvich, and Fr. Kevin Waters; and has had master classes with Lou Harrison, George Crumb, John Adams, and John Corigliano.
Commissions have included chamber, choral, liturgical, orchestral, and band works. His music reflects an interest in sacred traditions of all cultures. Influences include Brian Eno, John Cage, Laurie Anderson, Meredith Monk, John Luther Adams, Giacinto Scelsi, Morton Feldman, Lou Harrison, Pauline Oliveros, Paul Dresher, and David Lang; Gregorian chant, raga music, and gamelan; as well as art-rock, and prog-rock. Bill’s music is rhythmically vigorous, and he prefers to work as efficiently as possible with his harmonic material. At the core of all of his works is a commitment to melodic content. Since 2003, most of his works reflect an interest in non-western composition procedures.
Most of his music is created specifically for live performance, though some works are commercially available: Selections of his sacred choral works are available through Oregon Catholic Press, and a recording of solo piano works is available through Teal Creek Music and North Pacific Music, and is available at iTunes, Amazon, cdbaby.com, and on various streaming sites such as Rhapsody and Spotify.
Bill is a member of Society of Composers, College Music Society, and National Association of Composers-USA (NACUSA)
Bill teaches Composition, Analysis, Counterpoint, and Instrumental and Choral Arranging at the Lionel Hampton School of Music at the University of Idaho, in beautiful Moscow, Idaho.
At the core of Bill's teaching philosophy is a commitment to the pedagogy of musicianship. Bill's central focus is getting students to hear structure. His favorite pedagogy tools in each of these contexts is moveable 'do' solfegge, and phrase diagramming.
Bill believes that mastery of moveable 'do' solfegge is intrinsic to the mastery of harmony. Regarding phrase diagramming, Bill believes that the practice of creating visual demonstrations of musical structure--with or without the aid of a score--is essential to understanding the most elemental components of music.
NEWS & CURRENT PROJECTS:
Two pieces for two guitars for James Reid and JP Shields inspired by creation myths is scheduled to premiere on April 28, 2016. It's not yet titled. The first movement is called "Ocean and Her Cloud Daughters" and the second is called "Coyote draws Yakail-Wimakl".RECENT RECORDINGS:
Awake (2016) for flute, soprano sax, and piano was written for and premiered by the ensemble trIaD on February 9, 2016. Check out the score and recording of the premiere below.
The first movement of a new sacred choral work called All Those Who Wait (2015) for a capella TTBB chorus was written and premiered by the University of Idaho Men's chorus in the first week of Advent, 2015. The four-movement choral work features the texts and chants of the propers for the 1st Sunday of Advent.
Bonzai Down (2015-) for Symphony Orchestra is nearly completed.
A song recital featuring the singers Rebecca Fromherz, Janene Nelson, and Jessica Peterson; and pianists Jackie Morelli, Diane Baxter, and (Me) was held in the spring of 2014 as part of WOU's Faculty Artist Series. The show included all of my 'art songs' composed so far: my WILLIAM CARLOS WILLIAMS SONGS (1995), ROBERT CREELEY SONGS (2003) and a new set based on poems of Donna Henderson (2013).
String Trio (2003), Presented by Cascadia Composers, a chapter of the National Association of Composers, USA. Recorded live on October 20, 2012, at St. Anne's Chapel, Marylhurst University, Marylhurst, OR. Performed by Lucia Conrad (violin), Marissa Winship (viola), and Diane Chaplin (cello). Follow links to listen:
I. Recitatve & Trio
II. P'u "The Uncarved Block"
A Concert of my more recent compositions, as well as arrangements of a couple John Cage works, and premieres of a couple of pieces by my friend Francesco Zago, was held at WOU on April 18th, 2012.
Little White Salmon (2010), for two pianos and narrator was performed on Wednesday May 11th, 2012 by pianists Diane Baxter and Jackie Morelli, and poet/narrator Donna Henderson at Western Oregon University's Smith Recital Hall.
Manic Depression/Posuerunt me, which mixes Jimi Hendrix and Gesualdo tunes for Jazz band and electric guitar solo, currently under way.
Sketches are beginning to appear for what will be my first, and long-coming PIANO CONCERTO, written for Diane Baxter.
Labyrinth Walk: Music for Piano (1987-1994)is now available at CD Baby at:
Click here to hear the title track from the LABYRINTH WALK cd. This was written in memory of John Cage, shortly after his death in 1992. It is modeled after his IN A LANDSCAPE and various Cage-inspired techniques were employed, such as using dice to determine the structure.
RECENT PUBLICATIONS:Ecclesia (2001) is now available at Oregon Catholic Press. (Scroll down at the linked article, to see a review of the piece, and link for ordering.)