Dr. Jeffrey Loeffert is the Associate Professor of Saxophone and Theory at Oklahoma State University. During the summer months, Loeffert teaches at the Blue Lake Fine Arts Camp in Michigan and the Cortona Sessions for New Music in Cortona, Italy. Loeffert is a very active chamber musician. As a founding member of the h2 quartet, Loeffert has won numerous chamber music prizes including First Place at the Fischoff National Chamber Music Competition, First Place at the North American Saxophone Alliance Quartet Competition, First Place at the Union Française des Artistes Musiciens Chamber Music Competition (France), twice First Place at the Music Teachers National Association Chamber Music Competition - Michigan, First Place in the Northwestern University Chamber Music Compeition, and First Place in the Michigan State University Concerto Competition. Loeffert has also been a finsalist in the Concert Artists Guild Competition, Chesapeake Bay Chamber Music Competition, the Plowman Chamber Music Competition, and a three-time finalist in the Coleman Chamber Music Competition. Loeffert is featured on six commercially available discs and a DVD, as well as on a PBS television episode of Backstage Pass, which offers viewers a first-hand look at the inner workings of a top-flight chamber ensemble through live in-studio performances and interviews with the ensemble members. Loeffert has performed at such prestigious venues as the Avalon Theatre in Easton, Maryland; the Cankar Dom in Ljubljana, Slovenia; Clowes Hall in Indianapolis, Indiana; the Guarnerius Center for the Performing Arts in Belgrade, Serbia; the National Concert Hall in Dublin, Ireland; the Sarajevo Music Academy in Sarajevo, Bosnia; the Times Center and Merkin Hall in New York City; and the Walt Disney Concert Hall in Los Angeles, California; in addition to university recital halls across the country. An advocate of new music, Loeffert has premiered works by Drew Baker, Karl Blench, Jongyun Choi, Benjamin Fuhrman, Takuma Itoh, Igor Karača, David MacDonald, John Mackey, Marc Mellits, Victor Marquez-Barrios, Roger W. Petersen, David Rakowski, jesse Ronneau, Matthew Schoendorff, Amy Williams, and Daniel Wohl, among others. Loeffert graduated Summa Cum Laude from Northwestern University with a Bachelor of Music double major in Saxophone Performance and Jazz Studies. At Northwestern, Loeffert won the Program Honors Award for his graduating class. A Frank Huntington Beebe Scholar, Loeffert studied in Paris at the Conservatoire à Rayonnemnet Régional de Cergy-Pontoise where he received the Medalle d'Or à l'Unanimité - Saxophone, and the Medalle d'Or à l'Unanimité - Musique de Chambre. Loeffert also studied at the Conservatoire à Rayonnement Régional de Boulogne-Billancourt where he received the diploma Cycle d'Orientation Professionnel with an emphasis in contemporary music. Loeffert completed graduate studies at Michigan State University (MSU) as the recipient of a University Distinguished Fellowship. He received a Master of Music degree and a Doctor of Musical Arts degree in Saxophone Performance as well as a Master of Music degree in Music Theory Pedagogy. At MSU, he was awarded the Paul Harder Award for music theory and composition. Loeffert studied music theory under Bruce Campbell, Gordon Sly, Bruce Taggart, and Leigh Van Handel. His primary saxophone teachers include Bob Chreste, Jean-Yves Fourmeau, Jean-Michel Goury, Frederick L. Hemke, Joseph Lulloff, and Scott Plugge. Loeffert has had additional studies with Jan Berry Baker, Griffin Campbell, Masahito Siguhara, and Kelland Thomas, and significant support and mentorship from David Dees and John Nichol. Loeffert is a Yamaha and Vandoren Performing Artist and plays exclusively on Yamaha saxophones and Vandoren reeds, mouthpieces, and ligatures.



Bombinate is scored for three soprano saxophones and singing bowl. The singing bowl is performed by the third soprano saxophonist. The word bombinate is a literary device, which means to make a humming or buzzing noise. The work is largely centered around concert D, which is initially sounded by the singing bowl. The saxophone parts weave in and out of this center pitch the use of mircotonal fluctuations, tone distortions, and articulative techniques. The "buzzing" noise comes from this constant sounding of a center pitch, which is at times very faint and at other times only inferred. Though the work is a meditation, it also showcases the wide range of emotions from frenetic energy to anger when we close our eyes and reflect on our surroundings.